Cheoff

A site about food, drink and other random stuff!

No Turkey In This Year's Ice Cream

As usual, the tried and trusted Diana Henry continues to delight. Before her bumper bundle of crowd-feeders appeared recently in the printed and online Stella Magazine I thought I'd planned more or less all for this year's menus. As I got to the last of the recipes I'd determined to store most for future use but I really fancied some of that 'Turkish coffee ice cream' as soon as ever was possible. Its simplicity was over-powering. 

Just one problem. I have not had instant coffee in the house for six years or more. Coffee snob, eh? In my defence I do have a bottle of 'Camp' chicory and coffee essence for baking. Four teaspoons of that replaced the coffee powder ingredient. I discarded Diana's geography suggestion and took things away from the Turkish connection with a freshly pulled triple shot of hazelnut espresso (also kept for baking duties).  The cardamom seeds were steeped in that until cooled. Noting the information that this ice cream is likely to set a little hard, I added 20 grams of liquid glucose to compensate in a small way. 

The bowlful above shows the mix after being churned in the almost frozen bucket used by our ice cream maker. This had seen plenty of recent action with six custard-based mixes and a couple of sorbets already boxed and stored. The gel in the bucket seems to like three days of freezing to be efficient and the coffee mix responded slowly in an impatiently used one and a half day old frosty environment. 

The texture was still convincing but after freezing it does appear firm. I reckon it will be fine with that recommended fifteen (or more) minutes out of the freezer before serving. 

Having had several sneaky spoon licks, the taste which comes through is a fully-fledged bolt-on first prize candidate. If scooping proves tricky I can guarantee that letting it melt to be drunk as an indulgent iced coffee is worth considering. Although carving off a thin slice straight from the freezer and eating it between two thin biscuits would deliver the flavour delight immediately.

Make it. This one is not just for Christmas.
 

A good try… but no conversion

#SpoilerAlert - Details of the current series of 'MasterChef: The Professionals' contained within.

“Whatever the result, Adam Handling has a very bright future ahead.” When Michel Roux Jr. expressed that sentiment (I don’t have the exact words) in the final programme of MasterChef: The Professionals 2013 I thought he was preparing me to see my favourite chef of that year come in as runner-up. Which he did… and went straight on to enjoy that very bright future.

The latest episode of this year’s series had Marcus Wareing critiquing the dessert of Matthew Campbell. I hurried to catch up with my recording of the programme after seeing this tweet from chef Wareing:

With apologies to proper fans who watched live, here is a little of what went on. Marcus thought the 'show-stopper' artichoke dessert offering "very, very heavy". He liked the ideas but wasn't a big fan of the dish... which generated this reaction from Matthew:

As you can see, Matthew doesn't actually say 'old-fashioned' or 'stuck' but I suppose 'classic' is not 'modern'.  His words might be interpreted as less than odd, and even complimentary. But those words were the impetus for Marcus' tweet. He continued with just one more comment on the situation which could be seen as demoting Matthew from 'chef' to 'cook'. 

Of course, the results which will only be revealed to us this week have been known to all involved in the programme for some time. I will watch the last episodes with extra interest. I still don't mind which of the chefs wins. I refuse to let Matthew's style and presentation of himself as opposed to his cooking get in the way of that enjoyment. But there is a big prize in store for the winner. Like other finalists, Matthew has already established a high profile on social media. He has a book ready for publication next year. He has certainly attracted the praise of other cooks and chefs. Vegans are rejoicing... but they know that Michelin starred chefs have been using vegetables in dessert for at least a decade, don't they! Matthew's promotion of nutritional gastronomy doesn't seem too whacky or even dangerous so far. But, whether he wins or not, I will discard him if he descends into a world where pseudo-science underpins his cooking. He could be about to make serious amounts of money on the back of his appearances in the BBC show. That will all be meaningless to me if he 'earns' that money from diet 'fadiots' who are after a quick and unsubstantiated fix rather than good honest cooking. At least some of those have already fallen into the trap of saying that Matthew is cooking without sugar.

Marcus has no need to justify, explain or defend the excellence which he has achieved. He could easily flick away 'odd' criticism by ignoring it. So, is he preparing us for Matthew's fall from grace... or am I whipping up all this from a bit of froth and starting to look a bit thick? 

The next programme is airing as I post this. Best go and see what's cooking. I'll applaud loudest if flavour is the focus. Good luck to all!

Link to Matt's tasty Instagram account here.
He uses Facebook too.
Oh, heck... Matt also has a fine looking website complete with blog.
I'll let you find some of the hundreds of links to Marcus Wareing!

Keeping Up Appearances

It's never a bad idea to add a bit of visual pleasure to your food offerings. Only after you have produced the maximum flavour from your ingredients, of course. Flavour first and foremost, please.

Tempting the eye as well as the palate with plated arrangements can then commence. We have built up a fair selection of platters on which to serve but every trip to a half decent eatery seems to offer a new design option. Experience has taught me to turn over a still empty side plate for a manufacturer's name rather than upend a main course in that search... oops! Attractive as many ceramic designs are, they can prove rottenly expensive just for occasional use.

A few years ago I was serving a trio of puddings. One guest rumbled me pretty quickly and they weren't slow to ask for confirmation that I'd scraped out and re-used some glass votives from Christmas candles. My current production required a little more effort but I feel the results edge a wee bit more towards the professional side.

I'll not give detailed instructions as I hope the picture below explains what was used so that you can interpret and take things in your own way from there. A ceramic or vitreous tile and some moulding or framing profile is all I used for materials. The base elements were secured with PVA wood glue. The 45 degree cuts need to be exact or you could compensate by achieving the correct angle with sandpaper.

That mitre guide belonged to my Dad. In the early 1970s when he was in his late sixties he furnished just about every room of our family home with one or more bespoke pieces of furniture which he designed and fashioned with his own hands in a basement workshop. My brother has inherited that particular element of our genetic make-up more strongly than me. Using it has helped him towards earning a living and producing sometimes quirky but always practical and beautifully finished wooden artefacts. My projects have been a little less developed but I've never been afraid to have a go.

I ended up with two pairs of matching presentation surfaces. I'm happy that they enhance rather than detract from the food itself and intend continuing to use them. What you see below, apart from a modified prawn cracker, a chunk of nougat from a Barcelona market and Mrs Cheoff's Cheesy Dip, is all my own work.*

So why not have a go at making your own... the food and the plates. If I can you can.

Smoked Bacon and Sweetcorn Mini Muffins / Roast Chicken Dinner Crackers / Celery and Curried Cheese Dip

Salted Caramel and Peanut Truffles / Blackberry and Liquorice Jellies / Bitter Chocolate, Pistachio and Raisin Fudge / Nougat

* Details of that 'Curried Cheese Dip' and its place in our family history will be given a post of its own soon.

All images and content are the property of Geoff Griffiths. Copyright Geoff Griffiths 2020 ©